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2nd November 2009
Exhibitions
   
 

William Kentridge: What Will Come
This installation features the debut of an important new addition to the SCMA collection, “What Will Come” (2006), a major film by the South African artist William Kentridge. One of the most innovative aspects of Kentridge’s work is his hand-drawn films. “What Will Come” takes its title from a Ghanaian proverb: “What will come has already come," a sentiment reflected in the imagery of the film, which speaks to the range of conflicts that have marked modern human history. This work also displays Kentridge’s keen interest in optics. The film is projected from the ceiling onto a round metal table which bears a polished circular column in its center. The images are reflected on the surface of the column, which corrects the perspective of the drawing for the viewer. The images circumnavigate this column, changing form as they move to a haunting musical track. Through Dec. 31. For more information abou this exhibition, museum hours and other museum information, see www.smith.edu/artmuseum/.

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Exhibit: The Making of a Picture Book: The Marriage of Text and Art
Exhibit runs 9/14-12/18. Showcasing the works of local authors/illustrators: Leonard Baskin, Kathryn Brown, Corinne Demas, Patricia MacLachlan, Richard Michelson, Dennis Nolan, Jane Yolen.

Info: 545-3971 or http://tiny.cc/picturebook. Gallery hours follow library hours: open Saturdays 9 am-9 pm, then Sunday from 11 am onward, open 24 hours a day through Friday (www.library.umass.edu/hours.html). Handicap accessible.

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Exhibit: All Roads Lead Back to Amherst
Exhibit runs 9/15-12/11. Nature photographs by Annie (Fournier) Tiberio Cameron ’73, UMass Amherst.

Opening reception 9/15, 4:00-6:00 pm, refreshments.

Handicap accessible. More info: www.library.umass.edu/news

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Exhibit: Never Again: Genocide from Cambodia to Darfur and Beyond
Exhibit runs 11/2/09-11/13/09. The public is cordially invited to a reception on Tuesday 11/3 from 5-6pm, immediately followed by artist talks in the gallery.

The Student Union Art Gallery proudly presents three exhibits that share a commitment to educating our communities about genocide and empowering people to take action.

The exhibits by artist Amy Fagin, artist Leah Roth-Howe, and organizers STAND: A Student Anti-Genocide Coalition and the Western Massachusetts Darfur Coalition will share the gallery space to create dialogue about genocide in all corners of the world.

STAND: A Student Anti-Genocide Coalition and the Western Massachusetts Darfur Coalition present The Children of Darfur: Surviving Genocide, a collection of drawings made by children at the Kalma refugee camp in Darfur. While children were in line to receive shots and medical treatment, Dr. Jerry Erhlich of Doctors Without Borders gave them crayons and paper and asked them to draw ‘what your life in Darfur is.’

Through a 100 Projects For Peace grant, Leah Roth-Howe spent 8 months living and working with Cambodian-American and Cambodian youth and adults who are struggling to understand their history and place in the world. Ending the Silence in Cambodia is an exhibit of the drawings, poetry, and prose they created in artistic workshops to explore the legacies of the Khmer Rouge genocide.

Beyond Genocide is an exhibit of contemporary illuminated manuscripts by artist Amy Fagin. The thoroughly researched and delicately rendered manuscripts wrestle intimately with mass atrocities from all corners of the planet. The exhibit is a powerful artistic commentary on the history of genocide and its legacy to our planet.

The Office of Jewish Affairs is holding panel discussions related to this exhibit: Genocide, Reconciliation, and Forgiveness 11/3, 7:30pm. Genocide: From Justice to Prevention 11/10, 7:00pm.

For information on related events, please see: www.umass.edu/jewish/programs/genocide09/

Sponsored by the UMass Office of Jewish Affairs, STAND: A Student Anti-Genocide Coalition, Western Massachusetts Darfur Coalition, Harold Grinspoon Foundation, the UMass Arts Council, the Student Government Association, and the Graduate Student Senate.

Gallery Hours: M-Th 10-5, F 10-3. Extended hours until 9:30 pm on Tues 11/3 and 11/10. Closed 11/11 for Veteran’s Day.

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A Plantsman in Asia
Compelling color photographs by Paul W. Meyer tell vivid stories about the importance of plants in the lives of Asian peoples. The photos were taken over a period of 20 years of plant exploration in the Far East. Meyer, a
leader in the field of plant exploration and evaluation, will be speaking at Smith Nov. 13 in conjunction with Bamboo and Blossoms: The Fall Chrysanthemum Show at Smith Nov. 7-22. The photographs will be on exhibition October 17 through December 15.

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Lecture/Reading
   
 

Jane Addams, Eleanor Roosevelt, and the Economics of Peace
The London Economic Conference of 1933 was envisioned by Jane Addams and her ally, Eleanor Roosevelt, as a last, best chance to build an economic basis for an end to war. War, Addams believed, was clearly obsolete in a world where nations
depended heavily upon one another for natural resources, for
manufactured goods, and for markets for those goods. Therefore, a regularization of international trade, with tight restrictions on currency and commodity speculation, could create an economics that rewarded peace so well that nations would be deeply motivated to solve conflicts via diplomacy, not war. What went spectacularly wrong in l933 can inform us now, as we try to envision a new economics of peace for our time.

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Socrates and the Fat Rabbis
Daniel Boyarin, Taubman Professor of Talmudic Culture in the Departments of Near Eastern Studies and Rhetoric at the University of California, Berkeley, will talk about his just published book: Socrates and the Fat Rabbis.

What kind of literature is the Talmud? To answer this question, Daniel Boyarin looks to an unlikely source: the dialogues of Plato. In these ancient texts he finds similarities, both in their unique combination of various genres and topics and in their dialogic structure. But Boyarin goes beyond the typological parallelism between the texts, arguing also for a cultural relationship. Boyarin thus brings together issues of cultural difference, cultural regulation, and the specific interface between Jewish and Greco-Roman culture.

In Socrates and the Fat Rabbis, Boyarin suggests that these dialogues are not dialogic at all. Using Michael Bakhtin’s notion of represented dialogue and real dialogism, Boyarin demonstrates, through multiple close readings, that the give-and-take in these texts is actually monologic in spirit. At the same time, he shows that there are other elements that manifest genuine dialogicality. Boyarin ultimately singles out Menippean satire as the most important genre with which to understand both the Talmud and Plato, pointing out their seriocomic
peculiarity. An innovative contribution to rabbinic studies, Socrates and the Fat Rabbis makes a major contribution to scholarship on the discursive and cultural practices of the ancient Mediterranean.

This is the fourth lecture sponsored by the CHFA Visioning Grant Lecture Series in Religious Studies. It is also sponsored by the Posen Foundation in Jewish Secularism and the Department of Judaic and Near Eastern Studies at UMass.

The UMass CHFA Religious Studies Visioning Grant Fall Lecture Series will include, among others, lectures this fall by: Professor Willi Goetschel, University of Toronto, on “Moses Mendelssohn's 'Indigenous Colonist': State, Power, and the Question of Sovereignty” at 4:00 PM on Thursday, November 19th.

All Lectures are Free and Open to the Public and Wheelchair Accessible.

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